What influence does gender have on art production in nowadays Southwestern Asia? Does gender embody everyday life experiences, including the artistic experience? Are gendered spaces of the region Orientalized, demystified, or both? Are bodies, especially women bodies, described asexualized, passive and silent? Do local authors and artists living in diaspora reproduce totalizing or essentialist tendencies? Are power relations between the former colonizers and colonized uncovered? Has the aftermath of the so-called Arab Spring given women a greater voice and are more individuals willing to talk about gender openly? Is the view that assumes that women in Southwestern Asia are oppressed and left out of cultural debates a misconception?

In her anthology Reeds from Red Lips, Pamela Chrabieh explores these questions through stories told from a wide spectrum of voices, all from authors and artists who dream of peacebuilding, human rights, and women’s rights in Southwestern Asia.

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