Pop Culture and Social Media in the Arab World

I was interviewed by Terrance Mintner about Pop Culture and Social Media in the Arab World. Here are excerpts of the interview: 

Dr. Pamela Chrabieh, a Beirut-based writer and activist, told The Media Line that young people in the Arab world are using Facebook, Instagram, Twitter, YouTube, WhatsApp and Snapchat at an increasingly faster rate despite government controls and restrictions.

“Several studies conducted in the last decade have shown that pop culture and social media have helped Arab youth express and promote alternative political and social discourses and practices to the ‘official, normative, and institutional’ ones,” she said.

Although social media offers opportunities for creative expression and interaction, Chrabieh explained, there are many young people who must use these mediums while constantly negotiating complex and layered pressures to maintain online identities that meet the expectations of their societies, especially in the Gulf region.

“Fageeh’s work [generating online videos, for example] is one of many initiatives in the Arab world that addresses social and political issues. In fact, there has been an explosion of artistic and cultural productions since the 2000s in the forms of music, poetry, theater, graffiti, movies, etc.,” Dr. Chrabieh noted.

“There are of course cultural icons or ‘figureheads’ but we are witnessing the rise and proliferation of cultural democratization and transnational cultures [global cultures], especially when it comes to street art, videos and digital expression.”

Popular culture in the Arab world should not be viewed as byproduct of the Arab Spring, she explained. Even before the uprisings, it played a significant role in creating social and political transformations in response to what she termed “Ottoman and European colonialization.

“Lastly, it is hard to characterize Arab pop culture as one category given the diverse political institutions, regional history and the many different discourses about identity. Nevertheless, popular culture can help make sense of this complexity.”

READ THE FULL ARTICLE HERE

A glimpse at four decades of partnership between the European Union and Lebanon

Proud of our #eastlinedigital team and its creative work 💗 Sharing here one of our projects for the European Union Delegation to Lebanon.

A glimpse at four decades of partnership between the #EU and #Lebanon And the mission continues…. #EUinLebanon

Minutes from the Miracle City by Omar Sabbagh

Congratulations dear Omar Sabbagh! I had the pleasure to read your Dubai Novella and write a back book cover blurb.

Hakim, a Pakistani taxi driver whizzing through the streets. Patrick, a Ugandan security guard with aspirations of becoming a writer. Farida, a Moroccan beautician hoping for a fresh start. Saeed, a respected Emirati journalist just back from London.

Taking place across the last few days of Ramadan, Minutes from the Miracle City is a unique retelling of the virtuoso project that is Dubai.

Note: Here is the detailed version of my blurb: Omar Sabbagh’s Miracle City is a delightful kaleidoscopic tale of contemporary Dubai through the struggles and identity crises of migrants and locals’ characters living at the crossroads of tradition, postmodernity, and glocalization. A feast for the reader’s eye and soul!

https://www.fairlightbooks.co.uk/minutes-from-the-miracle-…/

Women’s Rights in the Gulf Region – Alaraby Interview

مداخلتي منذ قليل في برنامج شبابيك (التلفزيون العربي، لندن) عن حقوق المرأة في الخليج وأسباب هروب فتيات و نساء إلى الخارج. خلاصة القول: لقد عملت هذه الدول في السنوات الأخيرة على سد الفجوة بين الجنسين (التمكين السياسي والتعليم والصحة) ولكن يجب اصلاح عدة قوانين (الأحوال الشخصية، الوصاية…) وتفكيك الذهنية الأبوية 

Alaraby TV (London – UK), Chababik program, 19-02-2019
Full Interview HERE

Du choc des titans et de la culture de la guerre

Mon article paru ce matin dans l’Orient-le-Jour (Beyrouth – Liban) sur la nécessité de déconstruire la culture de la guerre et d’édifier une culture de la paix. C’est le énième article que je publie sur ce sujet depuis les années 90. La guerre est continue au Liban. Elle n’est pas que physique, elle est surtout psychologique et culturelle.

Voilà des années que le Liban vit au rythme de guerres de paroles, de mémoires meurtries, d’identités meurtrières, d’autoritarisme et de crises sociopolitique, économique et environnementale.

Dans cette saga libanaise aux allures de choc de titans, les héros ont bel et bien disparu, laissant la place aux fanatiques, démagogues, corrompus, méduses, sorcières du Styx, montagnes de détritus, scorpions monstrueux, sacrifices humains et maléfices de Hadès.

Près de trois décennies après la fin des combats, il est triste de constater que le pays n’est pas en mode « postguerre ». En fait, la guerre est continue, et les leçons qui auraient dû être tirées n’ont pas pu l’être, justement parce qu’une véritable construction de la paix n’a pas eu lieu, et ce en dépit des initiatives de certains groupes et individus œuvrant pour la convivialité et un système sociopolitique aconfessionnel assurant l’unité dans la diversité des voix(es) libanaises. Une chose est de faire taire les canons, de faire disparaître les frontières territoriales et de constamment faire miroiter bonheur et prospérité ; une autre est de renouer le contact entre les communautés et d’établir des liens solides au-delà des dissensions et des clivages.

Comment penser et vivre une catharsis salutaire lorsque le Kraken de la culture de la guerre constitue la toile de fond du Liban contemporain? Cette culture s’impose comme réalité du quotidien physique et virtuel. Avec son cortège de djinns et de démons, elle enflamme les esprits, sème la zizanie et ravage les vies. Elle est à la fois le produit et le producteur de choc de titans, un cercle vicieux formé d’oppresseurs et d’opprimés, d’accapareurs de pouvoir, de démunis et de boucs émissaires.

Chaque instant qui passe sous l’emprise de la culture de la guerre creuse davantage le fossé entre Libanais, sanctifie l’assassinat du semblable et du différent, transforme le meurtre en devoir, banalise les suicides individuel et collectif, et interdit toute réflexion critique, toute évolution et toute richesse émanant de la diversité.

Tant que la culture de la guerre sévit dans les cœurs, les criminels continueront de perpétrer leurs crimes et les victimes de mourir par omission. Tant que cette culture existe, l’étripage des dieux se poursuivra. Tant que l’hégémonie culturelle est celle de la guerre et non de la paix, on ne pourra garder l’espoir face aux bouchons inextricables du passé et à la léthargie étouffante du présent, révéler les non-dits, muer la douleur en souvenir fondateur et retenir la principale leçon de la guerre, de toute guerre : qu’elle ne se reproduise plus.

SOURCE: https://www.lorientlejour.com/article/1157956/du-choc-des-titans-et-de-la-culture-de-la-guerre.html

Women in Front Conference – 2018 Parliamentary Elections in Lebanon

‘Challenges and barriers of 100 women candidates during the 2018 Parliamentary elections in Lebanon’ Conference by Women in front. The results of the study – as part of COWP “Counselling Office for Women in Politics” and funded by the Embassy of the Netherlands in Lebanon – were presented, followed by several talks about women doing politics in the country.

Movenpick Hotel, Beirut, January 23, 2019.

Dr. Pamela Chrabieh (2nd from the left)

Can we still build Inclusive Societies in the Middle East without Deep Learning? No…

I am sharing here the conclusion of my paper on deep learning in Lebanon and the United Arab Emirates:

”One of the challenges that higher education will be facing is the spread of more surface learning versus deep learning, as deep learning can particularly take place in Humanities courses when appropriate education approaches are thought and practiced. I believe that the decision to reduce education (and learning) to a corporate consumer-driven model – providing services to the student-client -, transforms universities into factories or collegelands.

The ability to think critically and independently, to tolerate ambiguity, to see multiple sides of an issue, to deconstruct stereotypes, to appreciate diversity, to look beneath the surface, to dialogue with others on sensitive issues, and therefore the ability that equips us to live in and sustain democracies, to develop peaceful societies united in their diversity, will eventually disappear.

As I am completing the fall semester at the Lebanese American University as a part-time professor of Cultural Studies, I am being told that these courses and other Humanities’ courses will no longer be offered, due to budget cuts. Although my students have stated in their end-of-semester course evaluations their need for such courses and for a pedagogical approach that nurtures deep learning and in particular peacebuilding teaching/learning methods and activities in a country and a region on the verge of further explosion, their voices have not been heard.

I honestly fear that despite the efforts of few professors and educators, and of some youth and local NGOs initiatives, the future that awaits us is either further polarized or monochrome. Alternative narratives, perceptions, and practices that can challenge the ‘norm’ will cease to exist, and students will no longer be engaged to go beyond their disciplines and explore new avenues and skills. Furthermore, the automation of higher education will be contributing to the exacerbation of this reality. I am still struggling from my end and with other activists and pedagogues to build more just and inclusive societies in Southwestern Asia, but I honestly believe that this struggle has already become more arduous”.

Dr. Pamela Chrabieh, ‘Deep Learning in the University Context: Case Studies in Lebanon and the United Arab Emirates’, International Journal of Arts and Sciences Refereed Conference Proceedings, 11 (03), 2018, p. 39-48.
www.universitypublications.net/proceedings/1103/pdf/DE8C56.pdf